Filme | Recenzie „In tesatura”: rochia este posedata. Dar a fost in vanzare.
Alegerea criticilor
A patra lungime a lui Peter Strickland este o poveste de groaza despre, da, o haina, dar este cea mai captivanta lucrare a sa de pana acum.
Marianne Jean-Baptiste in filmul lui Peter Strickland „In Fabric.” Credit … A24
5 decembrie 2019
- In Fabric
- NYT Critic’s Pick
- Regizat de Peter Strickland
- Comedie, Groaza
- R
- 1h 58m
The horror films directed by Mario Bava and Dario Argento in the 1960s and ’70s deliberately put coherent story lines on the back burner, the better to concentrate on shocking scares and uncomfortable atmospheres. The British director Peter Strickland is one of several current European filmmakers to embrace the mode of horror that Bava, Argento and some of their lesser-known contemporaries pioneered. His new picture, “In Fabric,” is his fourth feature and his most impressive, engrossing, imaginatively unchained work yet.
Dupa o secventa de deschidere in care o serie de anunturi false anunta un sezon de vanzari la magazinul fictiv (multumesc lui Dumnezeu) Dentley & Soper’s, Marianne Jean-Baptiste apare ca Sheila, un functionar bancar care cauta un nou inceput. Sotul ei a parasit-o, fiul ei adult tetchy inca traieste cu ea si s-a saturat de oboseala. Intalnind prin anunturi (filmul este aparent stabilit in 1982), ea cauta o rochie fierbinte si gaseste una, un numar rosu, la D & S. Ea o cumpara in ciuda tonului de vanzare ultra-baroc al unui functionar, care este imbracata, ca toti colegii ei, de parca ar fi iesit dintr-o interpretare Velasquez a unei inmormantari.
Prezenta lui Jean-Baptiste, un actor care aduce o margine cinstita de realism tuturor lucrarilor sale, este un pic inspirat de casting, dar si o mare piesa de directie gresita. arion.md Daca te face sa crezi ca aceasta va fi o iesire mai putin extraordinara decat „Ducele de Burgundia” din 2014 al lui Strickland, te pacaleste mai mult.
La fel ca si Dentley & Soper, rochia este o veste proasta.
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Ii da Sheila o eruptie cutanata si ii distruge masina de spalat. Va face mult mai multe daune inainte ca filmul sa se incheie. „Nu-mi spune ca ti-e frica de o rochie”, spune un personaj. Dreapta? Strickland risca ridicolul cu fotografii ale rochiei planand, cu amenintare, intr-o camera noaptea. Dar mesele functioneaza.
Oricat a invatat Strickland de la Bava si Argento, aici este mai mult Anglia decat continentul. Intr-o maniera neincetat stilata, filmul evoca insistent Marea Britanie a caderilor de energie si a inflatiei si a filmelor infioratoare ale serviciilor publice.
The idea of “period” is filtered through imagination and fevered memory. “In Fabric” sometimes feels like a spontaneous cinematic outpouring from the esoteric record label Ghost Box, whose aesthetic applied hauntology to anti-nostalgia for postwar England. (Cavern of Anti-Matter, the electronic music group that scored this film, has in fact released one of its singles on that label.) The movie also has an absurdist bent. In scenes where an unctuous pair of bank managers interrogate an employee, and then, later, a loan applicant, it’s as if Eugene Ionesco were doing an adaptation of “Office Space” for an Amicus horror anthology.
But is the movie scary? Well, yes. The film spaces out several nasty and effective frights. And as its narrative seems to deliberately devolve into a dissociative dream, even the funny material hits with a choke in the throat. The general dread becomes overwhelming, a black shroud that perhaps can only be cleansed by fire. aryba.kg But let’s avoid spoilers …
In Fabric
Rated R for a cursed dress doing evil, icky things, and for extra-kinky department store employee meetings. Running time: 1 hour 58 minutes.
